MARY PAGE MARLOWE is snippets from one woman’s life (played by six different actresses), a woman said to be ‘unremarkable’, a thrice-married CPA with two kids and a drinking problem. But I didn’t feel that I was watching a play about someone unremarkable, at all. I felt I was watching the story of a thousand women, of a hundred thousand women, maybe a million women — women who lost and found themselves a dozen times over, in their lifetimes. Women who can’t please their mothers, or become their mothers; who can’t please their children, or be their children; who can’t please themselves, or be themselves. Women capable of more, but lacking some essential element to make it so; like maybe equal footing, or a society that sees them as people.
In Donica Lynn, Porchlight’s DREAMGIRLS has certainly found its own star. Lynn sings the hell out of the famous Act One showstopper “And I Am Telling You I’m Not Going.”
True theatrical immediacy can be hard to come by. Plays take time to write, produce, and rehearse – it can be a challenge to keep them fresh and resonant, especially when they tackle major social and political issues.
I confess – I’m an adult, and I laughed from beginning to end of THAT’S WEIRD, GRANDMA: THE MUSICAL, and I didn’t want to leave this night filled with simple, silly, family fun.
Writers’ Production of ARCADIA is as much a feast for the eyes as it is for the mind. Stoppard is not for everyone – particularly if you’re looking to relax into something – but if ‘leaning forward and engaging’ excites you, it is the quintessential Writers work, and the perfect show to christen the stunning $28 million facility with.
Through an intricate dance of witty dialogue, Northlight Theater’s production BUTLER by Richard Strand explores one moment in history which undoubtedly can be considered the prelude to not just the Emancipation Proclamation, but it also explains how Black men both free and escaped slaves were allowed to join as soldiers of the Union during the Civil war.
Once you embark on United Flight 232, there is no unbuttoning your seatbelt, no releasing the tight grip your white knuckled fingers and no calming your racing heart. You can be told to prepare for this 90-minute journey but no amount of “brace, brace, brace” will dampen the impact and its long lasting effects.
In a detailed account of her school-forbidden trip into New York City, Molloy captivates her audience as she brings Rapp’s piercing imagery to life.
WAKING LAZARUS is a hidden gem and a must-see musical that genuinely raises critical questions about gender, race, and spirituality within society.