We’ve all fantasized about a life in the spotlight at one time or another. For most of us living a typical workaday lifestyle, the idea of being adored by thousands, an endless supply of cash, and carte blanche to act as we please can seem immensely appealing.
Bursting with energy and intention onto a traditional living room set, this ensemble of four: Kat Christensen, Nyssa Lowenstein, Ariana Silvan-Grau, Taylor Wisham, and their director Anna Gelman have expertly crafted an exploration of Chekhov’s text and context that highlights its relevance, especially to the contemporary female experience.
In WOMEN LAUGHING ALONE WITH SALAD, Callaghan explores critical issues surrounding the messages women receive about themselves and their bodies in advertising and in society in a style that is entirely unique to her.
Candlelights flicker in the darkness as the stony-faced actors invite us to attend the tale of SWEENEY TODD, the final full musical by the Theo Ubique company at the No Exit Café.
HOT PINK, OR READY TO BLOW from New American Folk Theatre sounds like it would be a rowdy late-night show and noisy cult classic. To make this presumption would be to sell the play very, very short.