MARY PAGE MARLOWE is snippets from one woman’s life (played by six different actresses), a woman said to be ‘unremarkable’, a thrice-married CPA with two kids and a drinking problem. But I didn’t feel that I was watching a play about someone unremarkable, at all. I felt I was watching the story of a thousand women, of a hundred thousand women, maybe a million women — women who lost and found themselves a dozen times over, in their lifetimes. Women who can’t please their mothers, or become their mothers; who can’t please their children, or be their children; who can’t please themselves, or be themselves. Women capable of more, but lacking some essential element to make it so; like maybe equal footing, or a society that sees them as people.
In Donica Lynn, Porchlight’s DREAMGIRLS has certainly found its own star. Lynn sings the hell out of the famous Act One showstopper “And I Am Telling You I’m Not Going.”
True theatrical immediacy can be hard to come by. Plays take time to write, produce, and rehearse – it can be a challenge to keep them fresh and resonant, especially when they tackle major social and political issues.
In his one-man revue HERSHEY FELDER AS IRVING BERLIN, Felder pays loving homage to the famed composer who worked his way from Tin Pan Alley to Broadway to Hollywood and beyond. This revue showcases a number of Berlin’s greatest hits, including “I’ll Be Loving You Always,” “Puttin’ on the Ritz,”...
I confess – I’m an adult, and I laughed from beginning to end of THAT’S WEIRD, GRANDMA: THE MUSICAL, and I didn’t want to leave this night filled with simple, silly, family fun.
Writers’ Production of ARCADIA is as much a feast for the eyes as it is for the mind. Stoppard is not for everyone – particularly if you’re looking to relax into something – but if ‘leaning forward and engaging’ excites you, it is the quintessential Writers work, and the perfect show to christen the stunning $28 million facility with.