By granting the rights to producer Paula Wagner, Touchstone has a lot to gain in royalties, renewed interest in the film, and subsidiary rights — and virtually nothing to lose.
Apparently, Williams believes that other critics in this town are too nice. “They are out there to mooch tickets,” and “after me being gone, and Hedy’s gonna retire, you’re going to have no one saying ‘don’t go to the shows’ anymore.”
In this 4-part series, PerformInk takes you inside Kokandy Productions’ BONNIE & CLYDE through blog posts written by the people behind the scenes. To read past INSIDE articles.
In PerformInk’s series “The Craft”, we invite professionals in the educational field to discuss the benefits and/or the history behind the craft they teach. To read past blogs click here. By Kevin Theis Whenever I meet someone who is considering getting into the audiobook industry as a narrator, I always make...
Here we go again. The Chicago Reader’s “Best of Chicago” list is out. This year, one company was nominated for both “Best Established Theater Company” AND “Best New Theater Company.”