Taylor Mac credits the seed of inspiration for HIR to the 1997 Steppenwolf production of Sam Shepard’s BURIED CHILD. Coming full circle, HIR is now playing at Steppenwolf. The leap is not that far; just as Shepard’s work is an indicting statement on the modern American family of his time, Steppenwolf’s HIR is most certainly a reflection of Mac’s.
(l-r) Audrey Francis, Elena Marisa Flores, Eamonn Walker and Tim Hopper. Photo by Michael Brosilow Review: BETWEEN RIVERSIDE AND CRAZY at Steppenwolf Theatre Company By Rachel Weinberg Stephen Adly Guirgis’s 2015 Pulitzer Prize-winning play BETWEEN RIVERSIDE AND CRAZY, now in its Chicago premiere at Steppenwolf Theatre Company, focuses on issues of...
It is highly likely that THADDEUS AND SLOCUM will be the most delightful entertainment you’ll see this summer. Stacked and packed with song and dance numbers, the new Lookingglass production explores racial inequalities in showbiz at the turn of the 20th century through heartfelt laughter and with vaudevillian proportions.
Richard Bean’s ONE MAN, TWO GUVNORS—based on the 18th-century commedia dell’arte play The Servent of Two Masters by Carlo Goldoni—is a laugh-out-loud, silly, whip-crack smart comedy, and probably the most fun I’ve had at the theater in a long time.
Writers’ Production of ARCADIA is as much a feast for the eyes as it is for the mind. Stoppard is not for everyone – particularly if you’re looking to relax into something – but if ‘leaning forward and engaging’ excites you, it is the quintessential Writers work, and the perfect show to christen the stunning $28 million facility with.