Chicago theater boasts no shortage of pop cultural parody shows, but Hell in a Handbag’s production of THE DIVINE SISTER rises above this description. In the grand camp tradition, playwright Charles Busch’s witty and raunchy send-up celebrates the peculiar fascination Hollywood held with nuns in the 1960s. And what better subjects could there be for female impersonation? Cloisters of chaste, devout, dramatic, beautiful characters ripe for fictional scandal. Busch’s script takes advantage of every nun cliche in the canon—visions from God, desperate campaigns to build a new school for the children (the children!) and of course, sexual liaisons between the sisters.