Promethean Announces BLUE STOCKINGS Cast and Production Team

Promethean Announces BLUE STOCKINGS Cast and Production Team

Promethean Theatre Ensemble has announced the cast and designers of BLUE STOCKINGS.

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Review | MAD BEAT HIP AND GONE at Promethean

Review | MAD BEAT HIP AND GONE at Promethean

“It often feels like we are being given glimpses of the great play this could have been, somewhere three drafts deep — and there’s something beautiful in that.”

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Promethean Announces GROSS INDECENCY Cast and Production Team

Promethean Announces GROSS INDECENCY Cast and Production Team

Promethean Theatre Ensemble has announced the cast and design team for the remount of GROSS INDECENCY: THE THREE TRIALS OF OSCAR WILDE.

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Promethean Announces ARCADIA Cast and Designers

Promethean Announces ARCADIA Cast and Designers

Promethean Theatre Ensemble has announced the cast and design team for Tom Stoppard’s ARCADIA.

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Review: BLISS (OR EMILY POST IS DEAD!) at Promethean Theatre Ensemble

Review: BLISS (OR EMILY POST IS DEAD!) at Promethean Theatre Ensemble

BLISS (OR EMILY POST IS DEAD!) is uncomfortable, humorous, and incisive in all the right ways.

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Promethean Theatre Ensemble Announces 2018-19 Season

Promethean Theatre Ensemble Announces 2018-19 Season

Promethean Theatre Ensemble has announced its 2018-19 season – its 13th – opening with Tom Stoppard’s time-bending ARCADIA.

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Promethean Has Its BLISS (OR EMILY POST IS DEAD!) Cast and Design Team

Promethean Has Its BLISS (OR EMILY POST IS DEAD!) Cast and Design Team

Promethean Theatre Ensemble has announced the cast and production team for BLISS (OR EMILY POST IS DEAD!).

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Promethean Has Its THE MADWOMAN OF CHAILLOT Cast/Creatives

Promethean Has Its THE MADWOMAN OF CHAILLOT Cast/Creatives

Promethean Theatre Ensemble has announced the cast and production team for Jean Giraudoux’s THE MADWOMAN OF CHAILLOT. 

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Review: MARISOL at Promethean Theatre Ensemble

Review: MARISOL at Promethean Theatre Ensemble

My cheeks still feel the crispness of the cold night air as I stare at the words graffitied onto the set of Promethean’s MARISOL. I read the short, haphazard words that invoke big ideas of war and racism and injustice. Despite knowing that the worlds of Jose Rivera’s plays are usually more magic than reality, the relevance of these words makes their weight linger with the night’s coldness.

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