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“You’re allowing complicated people, over-complicated people, to measure themselves against something unchanging”
This is a play that wields commentary about race and entitlement with swift aim, making incisions that cut deep.
On the surface, Stephen Sachs’ BAKERSFIELD MIST explores the artistic first impression—the “blink”, as Mike Nussbaum’s art scholar Lionel Percy calls it, or the moment when we experience the art before we’re able to come to judgment.
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