Beautiful Singing Brings Lackluster Story to Life in THE INVENTION OF MOREL
Based on the novel, LA INVENCIÓN DE MOREL, the opera follows the story of Fugitive (Andrew Wilkowske) who has fled to a deserted island.
PEERLESS Puts Being the Best of the Best Under a Microscope
A ‘model minority’ is a minority class which is assumed to achieve a higher degree of success than others — hence, being a “model” for others to follow. According to a national finding in the 2010 Census, “About one-half of those who identified their race as Asian alone had received a bachelor’s degree or higher, the highest proportion among the racial categories.”
UNSEEN Shows What Happens When We Look
Throughout our lives, when faced with a moment that is sure to produce pain, we often hear these words in an attempt to offer protection: “Don’t look and it won’t hurt.” If we don’t look, we avoid discomfort, shame, embarrassment, heartbreak, humiliation.
Escape Into the Whimsical World of THE FANTASTICKS
At age eleven, I checked out THE FANTASTICKS CD from the public library and stole my oldest brother’s Discman to listen to it. In 2017, sitting in the intimate Blue Theatre, I was brought back to that joy and giddiness I felt sitting in the corner of my childhood bedroom humming “Soon It’s Gonna Rain.”
CST’s LOVE LABOR’S LOST is Everything Shakespeare Should Be
Most of us know or have been that person who’s really into Shakespeare. The enthusiast who often through a bombardment of Elizabethan vocabulary and extreme enthusiasm for iambic pentameter tries to convert the listener to their love of the bard.
Is There Really a Place for Everyone AT THE TABLE?
I remember waking up the morning after the election absolutely astounded by the results whilst wondering how the polls were wrong.
Steppenwolf’s STRAIGHT WHITE MEN Explores Well-Crafted Themes of Privilege and The Human Experience
Though Young Jean Lee’s play STRAIGHT WHITE MEN—now in its Chicago premiere at Steppenwolf Theatre Company—primarily concerns itself with characters befitting its title, the piece opens with two gender non-conforming performers (Elliott Jenetopulos and Will Wilhelm).
“God, That’s Good!” SWEENEY TODD at Paramount is Theatrical Bliss
I hold very few things sacred, yet, SWEENEY TODD: THE DEMON BARBER OF FLEET STREET rises to the ranks. Over twenty years ago, I saw a production that transformed me into a musical theater lover.
Rob Ashford’s Shining CARMEN Offers a Contemporary Perspective
Within minutes of the curtain fluttering open, a young woman Micaëla enters the army camp of men; the scene I saw before me bore a striking similarity to that I had experienced not twenty-four hours beforehand. It was only the first in many moments of relevance that Rob Ashford’s expert direction delivers in his shining new production.
URINETOWN Will Make You Laugh till You Pee
The musical, set in a nondescript dystopian future, tells the story of corporate greed gone awry.