Review | MÜNSTERSPIEL at The Plagiarists
The frustrating thing about MÜNSTERSPIEL is that it almost works.
Review | MAMMA MIA! at Drury Lane
MAMMA MIA! Is absolute fluff. It’s a jukebox musical featuring the music of ABBA, for Pete’s sake. And I am here for it.
Review | “Twilight Bowl” at Goodman Theatre
Everyone contemplates this question as they move into their adult years: Is this what I want to do with my life? Is this direction in which I want my future to go? Are these the people I want to spend my time with?
Review| REQUIEM FOR A HEAVYWEIGHT at The Artistic Home
“Requiem for a Heavyweight” is a familiar story: an aging boxer, who has taken one too many punches, faces a world that has only taught him one skill—fighting.
Review | THE ROOMMATE at Citadel Theatre
With excellent work by two veterans actors, THE ROOMMATE is a production absolutely worth seeing.
Review | DEAD MAN’S CELL PHONE at The Comrades
DEAD MAN’S CELL PHONE gets depressingly dark, darkly hilarious, and hilariously weird.
Review | FULFILLMENT CENTER at A Red Orchid Theatre
The ensemble, led by director Jess McLeod, is the play’s strongest asset.
REVIEW | “Nina Simone: Four Women” at Northlight
Very many shows are about Black women, but Northlight Theatre’s production of “Nina Simone: Four Women” is also for Black women.
Review | THE FATHER at Remy Bumppo
This is a family at their wit’s end, frustrated, like Andre, with what they do not understand.