Review: A SHAYNA MAIDEL at TimeLine Theatre Company
A SHAYNA MAIDEL shows how family can survive the worst of what humanity can do to each other, and still learn from and love each other
Review: HIR at Steppenwolf Theatre Company
Taylor Mac credits the seed of inspiration for HIR to the 1997 Steppenwolf production of Sam Shepard’s BURIED CHILD. Coming full circle, HIR is now playing at Steppenwolf. The leap is not that far; just as Shepard’s work is an indicting statement on the modern American family of his time, Steppenwolf’s HIR is most certainly a reflection of Mac’s.
BETWEEN RIVERSIDE AND CRAZY Finds Artful Balance Between Poignant Topicality and Light-Heartedness
(l-r) Audrey Francis, Elena Marisa Flores, Eamonn Walker and Tim Hopper. Photo by Michael Brosilow Review: BETWEEN RIVERSIDE AND CRAZY at Steppenwolf Theatre Company By Rachel Weinberg Stephen Adly Guirgis’s 2015 Pulitzer Prize-winning play BETWEEN RIVERSIDE AND CRAZY, now in its Chicago premiere at Steppenwolf Theatre Company, focuses on issues of...
THADDEUS AND SLOCUM Wows at Lookingglass
It is highly likely that THADDEUS AND SLOCUM will be the most delightful entertainment you’ll see this summer. Stacked and packed with song and dance numbers, the new Lookingglass production explores racial inequalities in showbiz at the turn of the 20th century through heartfelt laughter and with vaudevillian proportions.
Hilarious ONE MAN, TWO GUVNORS Is Not to Be Missed
Richard Bean’s ONE MAN, TWO GUVNORS—based on the 18th-century commedia dell’arte play The Servent of Two Masters by Carlo Goldoni—is a laugh-out-loud, silly, whip-crack smart comedy, and probably the most fun I’ve had at the theater in a long time.