Review: FUN HOME at Victory Gardens Theater
I feel indebted to these performers, and to Tesori, Kron and Bechdel, for their willingness to dig deep, to “go there,” to tell this story with heart and truth and strength.
(L to R) Leea Ayes, Celeste M. Cooper, and Nora Carroll. Photo by Michael Brosilow. By Sheri Flanders The stage of BLKS is vaguely reminiscent of an aquarium; a pink and turquoise cacophony of colored couches, overstuffed pillows and drapes hanging from the ceiling, video projected across the scene. And...
I feel indebted to these performers, and to Tesori, Kron and Bechdel, for their willingness to dig deep, to “go there,” to tell this story with heart and truth and strength.
There are very few shows that are as problematic or uncomfortable to watch from a woman’s perspective as THE TAMING OF A SHREW. The piece provides an antiquated yet all too familiar plot of a woman who is forced into believing opinions that are not her own and acting against her will to survive in a society run by men.