Review: A CHRISTMAS CAROL at Goodman Theatre
Arguably the most famous ghost story since the dawn of the printing press, the otherworldly adventures of Ebenezer Scrooge are so well-known, spoilers aren’t even really possible.
Arguably the most famous ghost story since the dawn of the printing press, the otherworldly adventures of Ebenezer Scrooge are so well-known, spoilers aren’t even really possible.
MARY PAGE MARLOWE is snippets from one woman’s life (played by six different actresses), a woman said to be ‘unremarkable’, a thrice-married CPA with two kids and a drinking problem. But I didn’t feel that I was watching a play about someone unremarkable, at all. I felt I was watching the story of a thousand women, of a hundred thousand women, maybe a million women — women who lost and found themselves a dozen times over, in their lifetimes. Women who can’t please their mothers, or become their mothers; who can’t please their children, or be their children; who can’t please themselves, or be themselves. Women capable of more, but lacking some essential element to make it so; like maybe equal footing, or a society that sees them as people.