At the House, they take great care of their audience. I usually shrink down in my seat at the thought of audience participation, but under Nathan Allen’s direction and Watkins’ mastery, to participate feels like we might be in on the trick.
Richard Bean’s ONE MAN, TWO GUVNORS—based on the 18th-century commedia dell’arte play The Servent of Two Masters by Carlo Goldoni—is a laugh-out-loud, silly, whip-crack smart comedy, and probably the most fun I’ve had at the theater in a long time.
There is quite a bit of harmony in DISCORD, Northlight’ 41st season closer: an intellectual discourse between three historical giants while they dissect theological and philosophical ideas accompanied by a dynamic mixture of highbrow and lowbrow humor.
Men with big dreams, women fighting for visibility and love at the same time, while ignorance and bigotry divide people; though this sounds like the ingredients to contemporary mayhem, its roots are found in a play set in the 1960s.
American Blues Theater’s triumphant LITTLE SHOP OF HORRORS will have Chicago audiences clamoring to head downtown to Skid Row. This intimately staged production has a full sound (with music director Austin Cook leading a four-piece band, you can feel the vibrations of the bass in the floor) and provides an all-encompassing, fully entertaining spectacle.
As the secretary and wannabe stage actor Ulla sings in THE PRODUCERS, when you got it, flaunt it. And Mercury Theater’s production definitely got it.