Award includes a cash prize and the opportunity to develop prize-winning script with American Blues Theater
American Blues Theater’s triumphant LITTLE SHOP OF HORRORS will have Chicago audiences clamoring to head downtown to Skid Row. This intimately staged production has a full sound (with music director Austin Cook leading a four-piece band, you can feel the vibrations of the bass in the floor) and provides an all-encompassing, fully entertaining spectacle.
In our final days in the rehearsal space, we had a sitzprobe and a designer run which were both exciting and crowded. Between the cast, the band, and the creative/production team, there are more than 35 people involved in bringing this show to life.
This week we began working with the two larger Audrey Two puppets and we were all surprised at how big they truly are. Sarah E. Ross (Puppet Designer and Producer Manager) had warned us that the largest was approximately 8 feet tall and 5 feet wide, but actually seeing a puppet that large come to life in person was both thrilling and intimidating (for comparison: Jim Henson’s Big Bird is 8 feet tall). There remain a handful of questions and concerns about how to best share the stage with the large puppets that won’t be able to be fully solved until we’re in the space. For now, it’s just exciting that they look so amazing and that Matthew Sitz is such a natural at operating them.
(Photo: Set model by Scenic Designer Grant Sabin) In this 4-part series, Assistant Director Elyse Dolan takes us behind the scenes of American Blues Theater’s production of LITTLE SHOP OF HORRORS, directed by Jonathan Berry. Part 1: Welcome to the Little Shop After the exchanging of quick hugs and hellos,...