Review: THE GOAT, OR WHO IS SYLVIA? at Interrobang Theatre Project
The play poses some big questions: can desire be separate from emotional connection? What does it mean to “have it all” and still be missing something? What even constitutes a taboo anyway?
Broken Nose Announces 7th Season
Pictured: Kaiser Zaki Ahmed Broken Nose Theatre has announced its seventh season, featuring a world premiere and two Chicago premieres to presented at The Den Theatre, 1331 N. Milwaukee. The 2018-19 season kicks off this fall with a new dark comedy entitled PLAINCLOTHES, written by company member Spenser Davis and...
Review: RADIO GOLF at Court Theatre
Roosevelt wants the White man’s riches but doesn’t know his own worth. He believes he has a seat at the table but his legs will never be long enough to pull his chair up next to the rich White men he admires.
Three Premieres Make Up Sideshow Theatre’s 18–19 Season
Sideshow Theatre Company has announced the lineup for its 2018-19 season.
BoHo Has Its 110 IN THE SHADE Cast and Design Team
BoHo Theatre has announced the cast and design team for 110 IN THE SHADE.
Review: SPRING AWAKENING at Blank Theatre Company
Pictured: Ensemble (background) and Haley Bolithon and Jeremiah Alsop (foreground). Photo by Nick McKenzie By Kelsey McGrath Before this review, I have to address the biggest truth in the room: SPRING AWAKENING is a problematic show. Originally on Broadway 2006, it contains a number of triggering concepts. Most of these glorify...
First Floor Theater Has Its HOODED, OR BEING BLACK FOR DUMMIES Cast and Designers
First Floor Theater has announced the cast and production team for the Chicago premiere of HOODED, OR BEING BLACK FOR DUMMIES
Rivendell Announces Cast and Designers for SCIENTIFIC METHOD:
Rivendell Theatre Ensemble has announced the cast and design team for the world premiere of “Scientific Method” by Jenny Connell Davis.
PIPPIN To Play Mercury’s Cabaret, Cast Announced
The immersive production will feature Donterrio Johnson as the Leading Player. L. Walter Stearns directs, with Eugene Dizon providing musical direction and Brenda Didier offering the choreography.