Goodman’s Full NEW STAGES Schedule and Casting Announced

Goodman’s Full NEW STAGES Schedule and Casting Announced

Casting is complete for the three “developmental productions” featured in Goodman Theatre’s 13thannual New Stages festival, a free celebration of new works by both established and emerging playwrights. The three plays, which are staged in repertory with modest production values following three weeks of rehearsal, include BLUE SKIES PROCESS by Abe Koogler, directed by Henry Wishcamper; SUPPORT GROUP FOR MEN by Ellen Fairey, directed by Kimberly Senior; and THE KING OF HELL’S PALACE by Frances Ya-Chu Cowhig, directed by Tea Alagić.

All productions in New Stages are designed by Kevin Depinet (Set), Rachel Lambert and Noël Huntzinger (Costumes), Jesse Klug (Lights) and Richard Woodbury (Sound).

In addition, three one-time-only staged readings appear during the final weekend of the festival (“Professionals Weekend”), including: FLORISSANT & CANFIELD by Kristiana Rae Colón, directed by Monty Cole; AMY AND THE ORPHANS by Lindsey Ferrentino, directed by Scott Ellis; and AND MOIRA SPINS by Kirsten Greenidge, directed by Lisa Portes. New Stages runs September 21 – October 9 in the 400-seat flexible Owen Theatre; all productions and readings are recommended for ages 14+. Tickets are free, but reservations are required; call 312.443.3800, visit or the box office (170 N. Dearborn). For more information about “Professionals Weekend,” visit

In addition to the New Stages celebration, the Goodman offers a special free reading of UNTIL THE FLOOD, the latest work by award-winning playwright Dael Orlandersmith, the Goodman’s newest Artistic Associate. Directed by Neel Keller, UNTIL THE FLOOD focuses on the social unrest following the fatal police shooting of unarmed black teenager Michael Brown in Ferguson, Mo., in 2014. The characters—which include a middle-aged black teacher, a white police officer, an older black barbershop owner, a young black teenager, and a preacher—are composites Orlandersmith created after extensively interviewing Ferguson residents. UNTIL THE FLOOD was commissioned by the Repertory Theatre of St. Louis, where it will receive its world premiere next month (October 12 – November 6, 2016). The reading is one-time-only on October 1 at 7:30pm at Alice Rapoport Center for Education and Engagement. Tickets are free; reservations required,

From the press release:

Blue Skies Process
By Abe Koogler, directed by Henry Wishcamper | appears in repertory September 21 – October 8

To make something new. That’s the task facing co-workers Amy, Peter and Kenny. To bolster their efforts, the team’s visionary leader has mandated a “blue skies process”: no hierarchy, everything is on the table and everyone is equal. Except they’re not. Underneath the veneer of workplace civility, an epic power struggle is taking place. Hilarious, absurd and sometimes menacing, Blue Skies Process pokes fun at office politics but takes the process of creation very, very seriously.


Joe Dempsey as Peter

Meighan Gerachis as Amy

Michael Gomez as Kenny

Guy Massey as Kristan

Karen Rodriguez as Reina


Support Group for Men
By Ellen Fairey, directed by Kimberly Senior | appears in repertory September 23 – October 9

Four men meet every Thursday night in an apartment on the border of Wrigleyville and Boystown. Instead of letting off steam at a Cubs game, they’ve formed a makeshift support group—complete with invented Native American nicknames, a baseball bat/talking stick, and most importantly a ‘no women’ policy that is strictly enforced.  When a gender-non-conforming visitor abruptly crashes their party, the guys’ notions of masculinity are upended. This topical comedy examines the many ways gender functions in an increasingly non-binary world—and proves help can sometimes be found in the most unlikely places.


Elena Marie Flores as Officer Delgado

Anthony Irons as Delano

Ryan Kitley as Brian

Keith Kupferer as Roger

Jeff Louis Kurysz as Alex

Dan Lin as Kevin

Steve Wojtas as Officer Nowak


The King of Hell’s Palace
By Frances Ya-Chu Cowhig, directed by Tea Alagić | appears in repertory September 25 – October 9

 Inspired by true events, The King of Hell’s Palace is a new drama by the author of The World of Extreme Happiness (2014) that explores the conflicts that arise when a community’s greatest source of capital becomes their own bodies. When the Henan Ministry of Health begins paying citizens for blood plasma, impoverished farmers in the province’s remote villages sell blood to buy fertilizer, mend their houses and create new opportunities for their children. As corrupt health officials cut costs to maximize the plasma products sold to pharmaceutical companies, safety standards are ignored, bringing catastrophic health implications to China’s most vulnerable population.


Rammel Chan as Little Yi

Celeste Den as Pearl/Lili

C.S. Lee as Stone/Kuan

Michelle Krusiec as Jasmine/Han-Han

Jo Mei as Yin-Yin/Pei-Pei

Mia Park as Luo Na/Dr. Gao

James Saito as Chen/Old Yang

Wai Yim as Wen/Director Zhang


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