Jason is a producer, manager, and designer with 17 years of experience in Chicago, New York, and in the touring market. In 2015, he founded Lotus Theatricals - the publisher of Performink, and an independent commercial producing company - with Abigail Trabue.
Pictured: Adam Rapp
Update 10/10/19: Goodman has adjusted the dates and venues for “School Girls” and “Molly Sweeney.” Click here for more information.
Goodman Theatre’s 2019/2020 season has been announced, featuring three world premiere productions, including a new musical.
“I am thrilled to share our 2019/2020 Season—a dynamic line-up of plays, each written by and/or featuring a woman protagonist at its heart,” said Robert Falls of his 33rd season as Artistic Director. “These fresh, powerful works of art entertain and delight, challenge and shock, and fearlessly reflect the world around us.”
The Albert stage’s season opens in September with “Bernhardt/Hamlet” by Theresa Rebeck, directed by Donna Feore—a comedy about the famed French actress Sarah Bernhardt as she takes on the roll of Hamlet. It’s the first production since the play debuted on Broadway last year. Next up is “Roe” by Lisa Loomer, directed by Vanessa Stalling—a look at the young women behind the landmark Roe v. Wade case. Falls will then direct “Molly Sweeney” by Brian Friel, a play he calls “one of the most beautiful plays of modern times.” In Spring 2020, Goodman will produce “American Mariachi” by José Cruz González, directed by Henry Godinez—the story of an all-female mariachi band in a co-production with Dallas Theater Center, with the help of Teatro Vista and the Chicago Latino Theater Alliance.
The Albert Theatre season closes out with the premiere of a new musical version of “The Outsiders,” adapted from S.E. Hinton’s novel and Francis Ford Coppola’s film, with a book by Adam Rapp, music and lyrics by Jonathan Clay and Zach Chance of Jamestown Revival and Justin Levine, and choreography by Lorin Latarro. Liesl Tommy directs. It’s a pre-Broadway tryout to be sure.
In the Owen Theatre, the Goodman will present “Dana H.” by Lucas Hnath, adapted from interviews with Dana Higginbotham conducted by Steve Cosson, and directed by Les Waters. A co-production with Center Theatre Group, this true story is told in Higginbotham’s own words as she recounts the five months she spent imprisoned by an unstable captor. Next up is “Graveyard Shift” from last year’s New Stages Festival by Korde Arrington Tuttle, directed by Danya Taymor. The Owen season concludes with the Chicago premiere of “School Girls; Or, the African Mean Girls Play” by Jocelyn Bioh, directed by Lili-Anne Brown. It had an extended run Off-Broadway to critical acclaim.
In addition to the eight season offerings, the Goodman will produce its 16th annual New Stages Festival and the 42nd annual production of A Christmas Carol. Membership are now available for purchase, and single tickets will be available for select productions beginning in August. More info at 312.443.3800 or GoodmanTheatre.org.
Goodman Theatre’s 2019/2020 Season (descriptions from the press release):
By Lucas Hnath
Adapted from Interviews with Dana Higginbotham,
Conducted by Steve Cosson
Directed by Les Waters
September 6 – October 6, 2019 in the Owen Theatre
A Co-Production with Center Theatre Group
A WORLD PREMIERE
“I want to be a part of the world again.” –Dana H.
Dana was a chaplain of a psych ward where she met a charismatic patient, an ex-convict searching for redemption. A harrowing true story, Dana was held captive with her life in this man’s hands—trapped in a series of Florida motels, disoriented and terrified—for five months. Told in Dana’s own words and reconstructed for the stage by her son Lucas Hnath (A Doll’s House, Part 2, The Christians), “one of the freshest playwriting voices to emerge in the past five years” (The New York Times), this innovative work shatters the boundaries of the art form and our understanding of good and evil.
By Theresa Rebeck
Directed by Donna Feore
September 14 – October 20, 2019 in the Albert Theatre
A CHICAGO PREMIERE
“It is delightful to undress a man, and find a woman inside.” –Edmond; Act I, Scene II
High humor and human drama collide in a rollicking comedy “so clever it uplifts, so timely it hurts” (The New York Times). In 1899, legendary leading lady Sarah Bernhardt’s decision to assume the title role of Shakespeare’s Hamlet left critics and patriarchs aghast and indignant. Laced with forbidden romance and backstage gossip, this behind-the-scenes look at Bernhardt’s most ambitious role is a “dynamic character study” (Variety) of one of the most famous actresses—and infamous divas—in the world.
By Lisa Loomer
Directed by Vanessa Stalling
January 18 – February 23, 2020 in the Albert Theatre
A CHICAGO PREMIERE
“You didn’t give a damn about Roe the person—all you cared about was Roe the case!” –Norma; Act II, Scene II
Conceived in a pizza parlor and argued in the highest court in the land, 1973’s Roe v. Wade legalized abortion—and is hotly debated still today. The complex young women behind the trial—attorney Sarah Weddington and plaintiff Norma McCorvey (“Jane Roe”)—embark upon separate journeys that mirror the current polarization over the landmark decision. Shocking, humorous and “full of nuance and complexity” (NPR), Roe illuminates the heart and passion that each side has for their cause.
By Korde Arrington Tuttle
Directed by Danya Taymor
February 7 – March 8, 2020 in the Owen Theatre
A WORLD PREMIERE
“Our new life starts tomorrow.” –Kane; Scene VI
When she receives the opportunity of a lifetime, Janelle relocates to Texas and moves in with her partner, Kane. Meanwhile, a small-town police officer’s life is thrown into flux when the coworker he’s romantically involved with decides to leave town. When their worlds collide, Janelle experiences firsthand how dangerous power can be. Loosely inspired by the legacy of Sandra Bland, Graveyard Shift is an unflinching but open-hearted look at how we navigate a world full of fear.
By Brian Friel
Directed by Robert Falls
March 7– April 12, 2020 in the Albert Theatre
“And what sort of world did you expect, Mrs. Sweeney?” —Dr. Rice; Act II
In this riveting exploration of triumph and loss, master storyteller Brian Friel—“a towering figure of the stage, from Dublin to Broadway” (The Guardian)—reveals the unexpected consequences of a modern medical miracle. Visually impaired since infancy, Molly agrees to a procedure that will restore her sight. But is it she who benefits most—or her ambitious spouse, or her doctor’s career? Robert Falls directs a major revival of this “astonishing, highly entertaining, deeply moving meditation on hope, change and despair” (The New York Times).
“School Girls; Or, the African Mean Girls Play”
By Jocelyn Bioh
Directed by Lili-Anne Brown
March 27 – April 26, 2020 in the Owen Theatre
A CHICAGO PREMIERE
“Look confident. Be confident. This. Is. Yours.” –Paulina, Part III
This biting and buoyant comedy, “ferociously entertaining, as heartwarming as it is hilarious” (The Hollywood Reporter), arrives in Chicago on the heels of a critically acclaimed, extended run Off-Broadway. As the reigning queen bee at Ghana’s most exclusive boarding school sets her sights on the Miss Universe pageant, a new student unexpectedly changes the game. This “gleeful African makeover of an American genre” (The New York Times) spotlights the universal similarities—and glaring differences—of teenage girls around the globe.
By José Cruz González
Directed by Henry Godinez
April 25 – May 31, 2020 in the Albert Theatre
A Co-Production with Dallas Theater Center
A CHICAGO PREMIERE
“Women mariachis? It’s about time!” –Soyla; Act I, Scene V
Familia, amor and tradiciόn are at the heart of this hilarious and heartwarming new comedy about the freedom to dream big. Lucha spends her days caring for her ailing mother, but longs to shake up her 1970s home life. When a forgotten record album sparks her mother’s memory, Lucha and her cousin strike upon a radical idea: to create an all-female mariachi band. Infused with live mariachi music, this “big-hearted, musical tug at the heartstrings” (Denver Post) reveals how music and love can make just about anything possible.
Based on the Novel by S.E. Hinton and Francis Ford Coppola’s Motion Picture
Book by Adam Rapp
Music and Lyrics by Jamestown Revival (Jonathan Clay and Zach Chance) and Justin Levine
Music Supervision, Arrangements and Orchestrations by Justin Levine
Choreography by Lorin Latarro
Directed by Liesl Tommy
June 20 – August 2, 2020 in the Albert Theatre
A WORLD PREMIERE
“Stay gold.” –Johnny, Act II, Scene XII
The story that defined a generation is reimagined in a groundbreaking musical for a new generation. In 1967 Tulsa, Oklahoma, the hardened hearts, aching souls and romantic dreams of Ponyboy Curtis, Johnny Cade and their band of greasers take center stage in a fight for purpose and a quest for survival. Adapted from S.E. Hinton’s seminal book and Francis Ford Coppola’s iconic film, and directed by Tony nominee Liesl Tommy with a book by Pulitzer Prize finalist Adam Rapp, The Outsiders features a score by acclaimed Austin-based rock duo Jamestown Revival and Justin Levine.
New Stages Festival
October 23 – November 10, 2019 in the Owen Theatre
The 16th annual New Stages Festival of new plays includes developmental productions and staged readings. This season’s world-premiere production of Graveyard Shift by Korde Arrington Tuttle emerged from New Stages. Founded in 2004, the New Stages Festival is a celebration of innovative new plays designed to give playwrights an opportunity to take risks and experiment. New Stages offers Chicago theatergoers a first look at dozens of plays, many of which have gone on to become successful full productions—including Noah Haidle’s Smokefall, Lynn Nottage’s Pulitzer Prize-winning Ruined and more.
“A Christmas Carol”
By Charles Dickens
Adapted by Tom Creamer
Directed by Henry Wishcamper
November 16 – December 29, 2019 in the Albert Theatre
42nd ANNUAL PRODUCTION
Acclaimed Chicago actor Larry Yando returns for his 12th season at Goodman Theatre as Ebenezer Scrooge in “A Christmas Carol,” directed for the seventh year by Artistic Associate Henry Wishcamper. More than 1.5 million theatergoers have attended “the crown jewel of the holiday season” (Daily Herald) since the Goodman established it as an annual offering in 1978—a time when only a handful of U.S. theaters mounted the production. Dickens’ holiday classic is the iconic tale of greedy businessman Ebenezer Scrooge, whose sizable bank account is only matched by his disdain for the holidays. One Christmas Eve, Scrooge is visited by four ghosts who take him on a spectacular adventure through his past, present and future, helping him rediscover the joys of life, love and friendship.