League Announces 19/20 Theatre Thursdays Lineup

The League of Chicago Theatres has announced the Theatre Thursdays line-up for the 2019-2020 Chicago theatre season, featuring one World Premiere per month. The productions include “His Shadow” (16th Street Theater), “Grey House” (A Red Orchid Theatre), “The Wickhams: Christmas at Pemberley” (Northlight Theatre), “Peg” (The New Colony and Broken Nose Theatre), “Verböten” (The House Theatre of Chicago), “How to Defend Yourself” (Victory Gardens Theater), “Her Honor, Jane Byrne” (Lookingglass Theatre Company), “The Juniors” (First Floor Theater), “Relentless” (TimeLine Theatre Company), “Every Waiting Heart” (Artemisia Theatre) and “The Fig and the Wasp” (Haven Chicago).

Launched in 2005, Theatre Thursdays encourages Chicagoans to explore new venues and companies by focusing on one new work per month. Each event provides audiences with a world premiere production and an inside look at the creative process.

The 2019-2020 series includes (from the press release):

Thursday, September 19
By Loy A. Webb
16th Street Theater

A disgruntled college freshman tries to step out of his older brother’s towering shadow and make a name for himself on the football field. When tragedy strikes, the course of his career is challenged, and his life is altered. “His Shadow” is a story of ambition vs. activism: which one will emerge the victor when the two collide? Directed by Wardell Julius Clark, His Shadow is an exhilarating world premiere parable by Loy A. Webb. Loy’s The Light was a hit for Chicago’s New Colony before being produced at MCC Theater in New York.

Thursday, October 31
By Levi Holloway
A Red Orchid Theatre

After a brutal car wreck in the mountains of Oregon, a young couple seeks shelter from a blizzard in a small cabin. But the cabin’s seemingly innocent inhabitants: five children and their minder, quickly start to expose the couple’s secrets, unmake everything they know about themselves, and hurl them towards a potentially sinister destination. “Grey House” is a new horror play about the gravity of the past, and the cruel inevitability of its pull.

Thursday, November 7
By Lauren Gunderson and Margot Melcon
Northlight Theatre

While the Bennets and Darcys are celebrating upstairs, the servants below stairs find themselves in the midst of a holiday scandal. Lydia’s ne’er-do-well husband Mr. Wickham has arrived, and it’s up to the loyal housekeeper, footman, and new maid to keep the festivities running smoothly without revealing the unwelcome guest. As old misunderstandings and new secrets start to spiral out of control, the residents of Pemberley prove that family, forgiveness, and the true spirit of giving always win the day.

Thursday, December 5
By Liam Fitzgerald
The New Colony and Broken Nose Theatre at The Den Theatre

Peg is excited. Steve is nervous. Sure, they’ve opened a nice bottle of wine, dinner smells delicious… but the brand new strap-on they ordered has just arrived, and tonight’s plan is to flip the script. Peg wants to peg Steve. And even though he was all for it initially, his last-minute hesitation will force this ordinary couple to face their kinks, quirks and societal conditioning, as they’re quickly reminded that gender politics follow them everywhere – including the bedroom.

Thursday, January 30
Lyrics and music by Jason Narducy and book by Brett Neveu
The House Theatre of Chicago at the Chopin Theatre

  1. Chicago. It’s do-or-die for Verböten—a band made up of outsider teens with seriously complex home lives. As they gear up for a show at The Cubby Bear that is sure to change their lives forever, can they keep their parents from destroying the fabric of their self-made punk rock family? With lyrics and music by Verböten’s original guitarist Jason Narducy (Split Single, Superchunk, Bob Mould) and book by Brett Neveu (Odradek, Pilgrim’s Progress, Traitor), “Verböten” is inspired by the true story of Chicago’s own young punks.

Thursday, February 6
By liliana padilla
Victory Gardens Theater

“How to Defend Yourself” circles around seven college students who gather for a DIY self-defense workshop after a sorority sister is raped. They learn how to “not be a victim”, how to use their bodies as weapons, how to fend off attackers. The form of self-defense becomes a channel for their rage, trauma, confusion, anxiety, and desire–lots of desire. Challenged to determine what they want and how to ask for it, the students must ultimately face the insidious ways rape culture steals one’s body and sense of belonging. Developed as part of Victory Gardens 2018 Ignition Festival of New Plays and the winner of the 2019 Yale Drama Series Prize, “How to Defend Yourself” is funny, raw and brutally honest – a triumph from playwright Lily Padilla.

Thursday, March 26
Written and Directed by Ensemble Member J. Nicole Brooks
Lookingglass Theatre Company

Chicago is “The City That Works”—but does it work for everybody? It’s 1981, the city’s simmering pot of neglected problems boils over, and Chicago’s first woman mayor is moving into Cabrini-Green. Is this just a PR stunt, or will it bring the City together? For the next three weeks, residents, activists, media, the “Machine,” and the Mayor herself will collide as the City’s raw truths are exposed. Who will come out on top? Lookingglass Ensemble Member J. Nicole Brooks creates this smoldering new take on “Her Honor Jane Byrne.”

Thursday, April 30
By Noah Diaz
First Floor Theater at The Den Theatre

A class of high school juniors are tasked with a simple Home Ec assignment: parent a sack of flour for a week or fail. When the flour babies begin dying one by one, the students stop at nothing to ensure that they, and the pretend children they bore, are the last ones standing. A play with war, carnage and genocide, “The Juniors” is a pitch black comedy about the ambitious and cut-throat world of high school Home Economics and the lengths we’ll go to in order to protect what we think is ours.

Thursday, May 28
By Tyla Abercrumbie
TimeLine Theatre Company

After the death of their mother, two sisters return home to Philadelphia in 1919 to settle her estate. Annelle is a happy socialite desperate to return to the safe illusion of a perfect life with her husband in Boston. Janet is a single, professional nurse, determined to change history and propel black women to a place of prominence and respect. Upon discovering a series of diaries left by their late mother, they find themselves confronted with a woman they never really knew, exposing buried truths from the pasts that are chillingly, explosively Relentless.

Thursday, June 18
By Lauren Frebee
Artemisia Theatre at The Den Theatre

Every Waiting Heart was the winner of Artemisia’s 2018 Fall Festival and centers on the relationship between an overworked single mother and her rebellious teenaged daughter. Sherri and Annette have been an unbreakable mother-daughter duo since childhood, but suddenly Annette’s rebelling and Sherri’s terrified. Desperate for help, Sherri goes to a speed-dating event at a Pentecostal church that unexpectedly changes the course of both of their lives and fractures the bond that has held them together for so long. A deep and intimate dive into what it means to be a strong woman, “Every Waiting Heart” is an unflinching examination of faith and the many variations of love.

Thursday, July 9
By Samantha Behr
Haven Chicago at The Den Theatre

Plague, unrest, natural disasters, a failure in leadership… societies end for many dramatic reasons. Rosaura Flagg, a politician from a political dynasty, works to project stability and the status quo while her 13-year-old daughter Cara lies in a hospital room in a coma-like sleep. She is the first to succumb to “Hopelessness” – a diagnosis given by a nurse, George, who seems to be the only one with answers. The disease spreads rapidly – after all, how do you fight hopelessness? As dramatic as the cause may be, the reality of the end to this society is beautifully mundane. What do you reach for at the end? How do you find hope at the end of the world? “The Fig and The Wasp” explores the destruction of isolation and the power of caring and connection in the face of a world on fire.

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