Passion and Energy abound in Eclectic’s MAKE ME A SONG
MAKE ME A SONG: The Music of William Finn, is a fast-paced, delightful, and fun night at the theater.
Mesmerizing HUMAN TERRAIN Is a Story That Needs to Be Told
Shozzett Silva and Kim Boler. Photo by Matthew Freer. Review: HUMAN TERRAIN at Broken Nose Theatre By Abigail Trabue Every so often a play falls into the right company at the right time and becomes the example of what Chicago storefront theater is all about. That play is HUMAN TERRAIN and that...
About Face Reimagines I AM MY OWN WIFE with Transgender Actor for 16-17 Season
Traditionally a solo piece, I AM MY OWN WIFE will feature three actors.
New About Face artistic associates announced.
THE MARVIN GAYE STORY – a Powerful and Nostalgic Tribute
I have the utmost respect for the foundation established by Jackie Taylor and her ability to produce stories that people genuinely gravitate towards.
No Stakes Announces ‘Actor Initiative’
Artistic Director Erin Shea Brady says “we’re opening up a door to actors who want to explore roles outside of their traditional “type”. We want to know – what is the role you want to learn from? Where do you want to go from here? How can this role help you learn the thing you need to learn to get to your next step?”
THADDEUS AND SLOCUM Wows at Lookingglass
It is highly likely that THADDEUS AND SLOCUM will be the most delightful entertainment you’ll see this summer. Stacked and packed with song and dance numbers, the new Lookingglass production explores racial inequalities in showbiz at the turn of the 20th century through heartfelt laughter and with vaudevillian proportions.
DIVINE SISTER is Divine at Hell in a Handbag
Chicago theater boasts no shortage of pop cultural parody shows, but Hell in a Handbag’s production of THE DIVINE SISTER rises above this description. In the grand camp tradition, playwright Charles Busch’s witty and raunchy send-up celebrates the peculiar fascination Hollywood held with nuns in the 1960s. And what better subjects could there be for female impersonation? Cloisters of chaste, devout, dramatic, beautiful characters ripe for fictional scandal. Busch’s script takes advantage of every nun cliche in the canon—visions from God, desperate campaigns to build a new school for the children (the children!) and of course, sexual liaisons between the sisters.